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The Illuminatus Trilogy : ウィキペディア英語版
The Illuminatus! Trilogy

''The Illuminatus! Trilogy'' is a series of three novels written by Robert Shea and Robert Anton Wilson first published in 1975.〔''Illuminatus!'' was written between 1969 and 1971, but not published until 1975 according to Robert Anton Wilson, ''Cosmic Trigger I: The Final Secret of the Illuminati'' (1977), page 145. ISBN 1-56184-003-3〕 The trilogy is a satirical, postmodern, science fiction-influenced adventure story; a drug-, sex-, and magic-laden trek through a number of conspiracy theories, both historical and imaginary, related to the authors' version of the Illuminati. The narrative often switches between third- and first-person perspectives in a nonlinear narrative. It is thematically dense, covering topics like counterculture, numerology, and Discordianism.
The trilogy comprises ''The Eye in the Pyramid'', ''The Golden Apple'', and ''Leviathan''. They were first published as three separate volumes starting in September 1975. In 1984 they were published as an omnibus edition and are now more commonly reprinted in the latter form.
In 1986 the trilogy won the Prometheus Hall of Fame Award, designed to honor classic Libertarian fiction,〔(Libertarian Futurist Society ) . Retrieved 21 February 2006.〕 despite the fact that there are several passages in the trilogy that savagely parody Libertarianism and the Objectivist philosophy of Ayn Rand.
The authors went on to write several works, both fiction and nonfiction, that dealt further with the themes of the trilogy, but they did not write any direct sequels.
''Illuminatus!'' has been adapted for the stage and has influenced several modern writers, musicians, and games-makers. The popularity of the word "fnord" and the 23 enigma can both be attributed to the trilogy. It remains a seminal work of conspiracy fiction, predating by years such novels as ''Foucault's Pendulum'' and ''The Da Vinci Code''.
== Narrative ==
The plot meanders between the thoughts, hallucinations and inner voices (both real and imagined) of its many characters, as well as through time (past, present, and future)—sometimes in mid-sentence. Much of the back story is explained via dialogue between characters, who recount unreliable, often mutually contradictory, versions of their supposed histories. There are even parts in the book in which the narrative reviews and jokingly deconstructs the work itself.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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